Tone library / Pink floyd / Comfortably numb

Comfortably numb amp settings — Marshall JCM800 2203

The Pink floyd guitar tone for “Comfortably numb”, dialed in for a Marshall JCM800 2203 with a Fender American Original 60s Stratocaster. Studio version, The Wall (1979) — Outro Solo

Original rig

1969 Black Stratocaster (DiMarzio FS-1 bridge pickup) -> EHX Ram's Head Big Muff Pi -> MXR Dyna Comp -> Pete Cornish ST-2 Boost -> Hiwatt DR103 100W (linked channels) + Yamaha RA-200 rotary cabinet

Singing, violin-like high-sustain fuzz lead with smooth top-end and lush space
Amp settings — Marshall JCM800 2203
CHANNELHigh Sensitivity Input
GAIN 8 BASS 6 MID 7 TREBLE 5 PRESENCE 4 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain8
Bass6
Mid7
Treble5
Presence4
Reverb0
Master6
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Electro-Harmonix Ram's Head Big Muff Pi

RECOMMENDED — not currently owned

Volume 7 · Tone 5 · Sustain 8

02Analog / Tape Delay

RECOMMENDED — not currently owned (set to ~370ms / quarter notes)

Time 5 · Feedback 4 · Level 4
Why these settings

Gilmour's signature sustain came from a Ram's Head Big Muff slamming a clean, high-headroom Hiwatt. Running directly into your JCM800 2203 without pedals requires pushing the preamp gain to 8 for standalone singing sustain, while pulling treble and presence down to smooth out the Strat bridge pickup's high-end bite. Adding a Big Muff reissue down the road will allow you to plug into the Low Sensitivity input with preamp gain at 2-3 for the exact studio compression. For the first solo, switch to the neck pickup with guitar tone at 9.

PRO TIPRoll your Strat's bridge tone control back to roughly 8 to shave off the initial transient spike and mimic the darker, fatter output of Gilmour's custom-wound DiMarzio FS-1 pickup.

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These settings are for a Marshall JCM800 2203. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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