Tone library / Pink Floyd / Comfortably Numb

Comfortably Numb amp settings — Marshall JCM800 2203

The Pink Floyd guitar tone for “Comfortably Numb”, dialed in for a Marshall JCM800 2203 with a Fender American Professional II Stratocaster. Studio version outro solo, The Wall (1979)

Original rig

Fender Stratocaster ('Black Strat' with DiMarzio FS-1 bridge pickup) -> MXR Dyna Comp -> EHX 'Ram's Head' Big Muff Pi -> Hiwatt DR103 100W Head & Yamaha RA-200 rotary cabinet

Smooth, singing violin-like fuzz sustain with slight rotary swirl and long ambient decay
Amp settings — Marshall JCM800 2203
CHANNELHigh Sensitivity Input
GAIN 8 BASS 6 MID 7 TREBLE 5 PRESENCE 4 MASTER 4
KnobSetting (0–10)
Gain8
Bass6
Mid7
Treble5
Presence4
Master4
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Electro-Harmonix 'Ram's Head' Big Muff Pi

RECOMMENDED — not currently owned

Volume 6 · Tone 5 · Sustain 8

02Digital Delay (Boss DD-3 style)

RECOMMENDED — not currently owned; set to ~440ms dotted eighth/quarter blend

E.Level 5 · F.Back 6 · D.Time 6
Why these settings

Gilmour's core tone relies on a Ram's Head Big Muff hitting a clean Hiwatt DR103; because you have no pedals, plug into the JCM800's High Sensitivity input with preamp gain pushed to 8 to generate the necessary singing sustain directly from the amp. The JCM800 has a sharper upper-mid bite than a Hiwatt, so treble is held at 5 and presence at 4 with your Strat's tone knob rolled to 8 to mimic Gilmour's smooth, violin-like top end. Once you acquire a Big Muff, plug into the Low Sensitivity input, drop preamp gain to 2-3, and let the pedal provide the fuzz.

PRO TIPRoll the Strat's bridge pickup tone control down to around 7 or 8 to shave off the brittle single-coil glass, allowing the amp's preamp saturation to bloom into a creamy, rounded sustain on bends.

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