Farewell Ballad amp settings — Marshall JCM800 2203
The Black Label Society guitar tone for “Farewell Ballad”, dialed in for a Marshall JCM800 2203 with a Squier Affinity Telecaster. Studio version, Book of Shadows (1996) — Zakk Wylde solo album, clean ballad
Epiphone Les Paul with EMG pickups (likely HZ or 81/85), Marshall amplifier on clean/edge-of-breakup settings, no distortion pedals
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 5 |
| Mid | 6 |
| Treble | 5 |
| Presence | 4 |
| Reverb | 0 |
| Master | 4 |
01Reverb (Spring or Hall) — RECOMMENDED
RECOMMENDED — not currently owned. A TC Electronic Hall of Fame Mini or Boss RV-6 would add the ambient depth this ballad needs. The original has subtle room reverb from the studio.
Your JCM800 2203 is the same platform Zakk uses for his heavy tones — for this clean ballad, you're pulling the preamp gain to 2 to stay clean. Your Telecaster's single coils are brighter and thinner than his EMG-loaded Les Paul, so I've rolled your tone knob to 6 and kept treble neutral at 5 to avoid ice-pick harshness. Mid at 6 compensates for the Tele's naturally scooped voice. Volume at 8 allows pick dynamics to breathe without breaking up.
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These settings are for a Marshall JCM800 2203. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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