Tone library / Pearl jam / Lightyears

Lightyears amp settings — Vox AC30C2

The Pearl jam guitar tone for “Lightyears”, dialed in for a Vox AC30C2 with a Epiphone Slash Les Paul Standard. Studio version, Binaural (2000)

Original rig

Marshall Plexi / Fender amps, Gibson Les Paul & Fender Stratocaster, Ibanez TS9 Tube Screamer, Dunlop Univibe

Warm, shimmering clean with edge-of-breakup sparkle and sustained chime
Amp settings — Vox AC30C2
CHANNELTop Boost
GAIN 4 BASS 5 MID 6 TREBLE 5 PRESENCE 4 REVERB 3 MASTER 5
KnobSetting (0–10)
Gain4
Bass5
Mid6
Treble5
Presence4
Reverb3
Master5
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Guitar
PICKUPneck TONE7 VOLUME8
Signal chain

01Ibanez TS9 Tube Screamer

RECOMMENDED — not currently owned. Used as a clean boost to push the AC30 into warm breakup. Without this, increase amp gain to 6 and accept slightly less compression and sustain.

Drive 3 · Tone 5 · Level 6
Why these settings

The original uses Marshall Plexi mids and Fender cleans blended. Your AC30 Top Boost channel naturally sits between these—more chimey than Marshall, warmer than Fender. I've set treble conservatively at 5 (AC30s get ice-picky fast with humbuckers) and pushed mids to 6 to approximate the Plexi's midrange bark. Rolling your guitar volume to 8 cleans up the attack while preserving body—essential for this track's dynamic feel.

PRO TIPUse the Tone Cut control (rear panel or top panel depending on your C2 revision) set around 2-3 o'clock to tame high-frequency harshness from the Slash Les Paul's Alnico II humbuckers—this replicates the darker, rounder speaker breakup of the original recording's vintage cabs.

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These settings are for a Vox AC30C2. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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