Cemetery Gates amp settings — Vox Pathfinder 10
The Pantera guitar tone for “Cemetery Gates”, dialed in for a Vox Pathfinder 10 with a Harley Benton Telecaster. Studio version, Cowboys From Hell (1990) — distorted riff/verse sections, not the clean intro
Dean ML 'Dean From Hell' with Bill Lawrence L-500XL bridge pickup → MXR Six-Band EQ (V-scoop) → Randall RG100ES solid-state amp (distortion channel). Clean intro used Roland JC-120.
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 7 |
| Mid | 3 |
| Treble | 8 |
| Presence | 0 |
| Reverb | 0 |
| Master | 6 |
01Pocketmaster (Tube Screamer-style overdrive)
This pedal IS your gain source. Crank drive hard — the Pathfinder stays clean, the Pocketmaster provides all the dirt. Tone rolled up to compensate for the Tele's brightness being different from Dime's hot ceramic humbucker.
The Pathfinder 10 is a single-channel clean amp with no dirt — amp gain stays at 2 (just past clean) while the Pocketmaster handles all distortion. Dimebag's tone was heavily mid-scooped via external EQ, so I've dropped mids to 3 (the Pathfinder is already slightly scooped like most Vox-voiced amps). Your Telecaster's single-coil bridge is bright and thin compared to Dime's hot humbucker, so bass is pushed to 7 and tone knob rolled to 8 to add body. This will get you in the ballpark, but the Pathfinder's 10-watt speaker and clean headroom mean it won't have the chest-punch of a cranked Randall stack.
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These settings are for a Vox Pathfinder 10. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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