Tone library / Pantera / A new level

A new level amp settings — Marshall JCM900

The Pantera guitar tone for “A new level”, dialed in for a Marshall JCM900 with a Dean MLX trans brazilia. Studio version, Vulgar Display of Power (1992)

Original rig

Dean ML 'Dean From Hell' with Bill Lawrence L-500XL bridge pickup → Furman PQ-4 Parametric EQ → MXR 6-Band EQ → Randall Century 200 solid-state head → Randall 4x12 with Jaguar speakers

Razor-sharp scooped rhythm with aggressive high-mid cut and massive low-end chug, tight and percussive
Amp settings — Marshall JCM900
CHANNELLead channel (high gain)BRIGHToff
GAIN 8 BASS 7 MID 2 TREBLE 7 PRESENCE 8 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain8
Bass7
Mid2
Treble7
Presence8
Reverb0
Master6
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Big Muff

LEAVE OFF — Dime's tone was amp-driven with EQ boosting, not fuzz. Big Muff will muddy the tight chug this song requires.

Volume 0 · Tone 0 · Sustain 0

02MXR 6-Band EQ (or similar graphic EQ)

RECOMMENDED — not currently owned. This is essential to Dime's tone; it boosts 800Hz and 3.2kHz to cut through while the amp stays scooped. Run it BEFORE the amp input as a gain/frequency boost.

100Hz 6 · 200Hz 5 · 400Hz 4 · 800Hz 10 · 1.6kHz 7 · 3.2kHz 10
Why these settings

The JCM900 is naturally mid-forward where Dime's Randall solid-state was scooped and tight. Drop mids to 2 to approximate the scoop, but raise presence to 8 to recover the high-frequency cut and aggression the Randall delivered. The JCM900's tube saturation is warmer than Dime's razor-edged solid-state clipping, so keep gain at 8 rather than diming it—going higher will get mushy. Your Dean MLX with a similar body shape and pickup voicing is a strong match.

PRO TIPDime's right-hand attack was the secret weapon—pick hard and close to the bridge with the pick angled slightly, and keep palm mutes tight against the saddles for that percussive 'chunk' on the low D string chugs.

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