Tone library / Nirvana / Lithium

Lithium amp settings — Marshall MG15G

The Nirvana guitar tone for “Lithium”, dialed in for a Marshall MG15G with a Harley Benton MB-20BK Rock Series. Studio version, Nevermind (1991)

Original rig

Fender Bassman (modified), Fender Stratocaster (neck/middle single-coil for clean), Electro-Harmonix Big Muff (chorus distortion only)

Warm, bass-heavy clean verses with smooth, thick fuzz-wall choruses — the loud-quiet-loud dynamic
Amp settings — Marshall MG15G
CHANNELClean (OD channel OFF)
GAIN 3 BASS 7 MID 6 TREBLE 4 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain3
Bass7
Mid6
Treble4
Reverb0
Master6
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Guitar
PICKUPneck TONE6 VOLUME8
Signal chain

01Electro-Harmonix Big Muff (or any Big Muff clone)

RECOMMENDED — not currently owned. Essential for the chorus fuzz wall. A Behringer SF300, EHX Big Muff Nano, or any Muff-style fuzz will work. Engage only on the B chord leading into each chorus.

Volume 6 · Tone 4 · Sustain 7
Why these settings

The MG15G is a solid-state Marshall with forward mids versus the Bassman's scooped, warm Fender voicing. To compensate: bass pushed to 7 (Bassman was bass-heavy), treble dropped to 4 (MG15G is brighter), mids at 6 to avoid the Marshall bark overpowering the warm grunge character. Gain at 3 gives the slight edge-of-breakup for verses without actual distortion. Without a Big Muff or fuzz pedal, you cannot authentically reproduce the chorus — the MG15G's OD channel will sound too tight and modern. Acquire a Muff-style pedal.

PRO TIPTune down to Eb Standard before dialing in. For the verse clean tone, pick softly near the neck — Cobain's attack was loose and slightly behind the beat. Roll your tone knob to 6 to kill the Harley Benton's bridge-pickup brightness and get closer to that murky Strat-neck warmth.

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These settings are for a Marshall MG15G. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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