Come as you are amp settings — Marshall MG30GFX
The Nirvana guitar tone for “Come as you are”, dialed in for a Marshall MG30GFX with a Harley benton Sc 500 BK vintage series. Studio version, Nevermind (1991) - iconic main riff / intro
1965 Fender Jaguar / Fender Mustang (D Standard tuning) -> Electro-Harmonix Small Clone Chorus -> Mesa/Boogie Studio Preamp / Vox AC30
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 6 |
| Mid | 5 |
| Treble | 4 |
| Reverb | 2 |
| Master | 4 |
01Onboard MG30GFX FX (Chorus)
Select the Chorus segment on the onboard FX knob to replicate the Small Clone warble
02Electro-Harmonix Small Clone
RECOMMENDED — not currently owned; key to the exact analog bucket-brigade detune warble
The MG30GFX Clean channel provides the necessary headroom, while the treble is dialed back to 4 and tone knob to 7 to compensate for the humbuckers on the SC-500 versus Kurt's single-coil Fender Jaguar. Engage the onboard chorus effect at roughly 6 to provide the watery detune from the amp alone. Heavy chorus/distortion: hit the OD-1 channel and kick on a Boss DS-1 or DS-2 for the chorus section.
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These settings are for a Marshall MG30GFX. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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