Beat It amp settings — Harley benton HB-20R
The Michael Jackson guitar tone for “Beat It”, dialed in for a Harley benton HB-20R with a Harley Benton SC-Custom II. Studio version, Thriller (1982) — Steve Lukather's rhythm riff, not the EVH solo
Valley Arts Custom Pro (HSS) → Rivera-modded Fender Deluxe Reverb, no pedals
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 5 |
| Mid | 6 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 1 |
| Master | 5 |
01Overdrive pedal (TS-style or Boss SD-1)
RECOMMENDED — not currently owned. The HB-20R's gain structure is loose and fizzy at high settings; a TS-style pedal into a cleaner amp setting will give you the tight, focused crunch Lukather had. Without this, push amp gain to 7 and accept a slightly looser tone.
The HB-20R is a budget solid-state practice amp with a darker, softer voicing than Lukather's modded Fender tube amp. I've pushed mids +0.5 over the original to compensate for the amp's tendency to get muddy, and rolled treble back slightly because small solid-state amps get harsh before they get bright. Your SC-Custom II's humbuckers are hotter than Lukather's HSS bridge single coil, so gain stays moderate to avoid mud.
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These settings are for a Harley benton HB-20R. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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