Tone library / Michael Jackson / Beat it

Beat it amp settings — Harley Benton HB-20R

The Michael Jackson guitar tone for “Beat it”, dialed in for a Harley Benton HB-20R with a Donner DST-550. Studio version, Thriller (1982) - main rhythm riff

Original rig

1959 Gibson Les Paul Standard, Rivera-modified Fender Deluxe Reverb II and Marshall JCM/Plexi heads

Tight, punchy, medium-gain rock crunch with defined mid-bite and clear low-end articulation
Amp settings — Harley Benton HB-20R
CHANNELOverdrive select switch engaged
GAIN 6 BASS 5 MID 7 TREBLE 6 REVERB 2 MASTER 4
KnobSetting (0–10)
Gain6
Bass5
Mid7
Treble6
Reverb2
Master4
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Boss SD-1 Super Overdrive

RECOMMENDED — not currently owned; adds the tight studio crunch and mid push missing from practice amp overdrive

Level 7 · Tone 5 · Drive 4
Why these settings

The Harley Benton HB-20R has a small 8-inch speaker and an analog overdrive channel, so pushing the mid control to 7 adds the necessary Marshall-style bark of Steve Lukather's modified rig. Gain is dialed to 6 on the amp's drive channel to provide natural crunch without turning fizzy on the solid-state circuit. If you later add the recommended overdrive pedal, switch the amp to the clean channel with gain dropped to 2.

PRO TIPPick forcefully with a heavy plectrum right over the bridge pickup and mute immediately with the meat of your palm between chugs to nail Lukather's percussive attack.

Get this tone on your amp

These settings are for a Harley Benton HB-20R. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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