Tone library / Metallica / Hit the lights

Hit the lights amp settings — Fender Hot Rod DeVille 212

The Metallica guitar tone for “Hit the lights”, dialed in for a Fender Hot Rod DeVille 212 with a Fender American Professional II Stratocaster. Studio version, Kill 'Em All (1983) — main rhythm riff

Original rig

Jose Arredondo modded Marshall Super Lead 100W 1959 + Ibanez TS9 / ProCo Rat + Gibson Flying V (Seymour Duncan Invader)

Raw, aggressive British early-thrash crunch with sharp upper-mid bite and tight low end
Amp settings — Fender Hot Rod DeVille 212
CHANNELMore DriveBRIGHToffBOOSTon
GAIN 8 BASS 5 MID 8 TREBLE 5 PRESENCE 4 REVERB 1 MASTER 4
KnobSetting (0–10)
Gain8
Bass5
Mid8
Treble5
Presence4
Reverb1
Master4
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01ProCo Rat 2

RECOMMENDED — not currently owned; with this pedal, switch amp to Clean channel, drop amp gain to 2, and use pedal as primary dirt

Distortion 7 · Filter 6 · Volume 7
Why these settings

The Hot Rod DeVille has a naturally scooped American EQ and a high treble shelf compared to James Hetfield's modded Marshall, so mids are pushed to 8 and treble is pulled back to 5. The Strat's single-coil bridge pickup is far brighter and thinner than a Duncan Invader humbucker, requiring the guitar tone knob at 8 and More Drive engaged to extract the necessary thrash saturation. The amp alone delivers an aggressive, usable crunch today, but a Rat or high-gain distortion pedal will bridge the remaining gap to early-Metallica bite.

PRO TIPAngle your pick slightly toward the bridge and dig in hard with strict palm muting right against the bridge saddles to simulate the tight, percussive attack of an Invader humbucker hitting a cranked British power section.

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These settings are for a Fender Hot Rod DeVille 212. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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