Tone library / Gorillaz & De La Soul / Feel Good Inc. (feat. David Jolicoeur, Kelvin Mercer & Vincent Mason)

Feel Good Inc. (feat. David Jolicoeur, Kelvin Mercer & Vincent Mason) amp settings — Fender Hot Rod DeVille 212

The Gorillaz & De La Soul guitar tone for “Feel Good Inc. (feat. David Jolicoeur, Kelvin Mercer & Vincent Mason)”, dialed in for a Fender Hot Rod DeVille 212 with a Fender Player Stratocaster. Studio version, Demon Days (2005) — recorded at Kong Studios (Essex) and Studio 13 (London)

Original rig

Clean tube amp platform (likely Fender-style), Fender Stratocaster or similar single-coil guitar, Boss DS-1, Electro-Harmonix Big Muff Pi, MXR Phase 90, Boss CE-2 Chorus — electric guitar sits behind synths in mix with lo-fi, slightly gritty texture

Dark, murky single-coil grit with rolled-off highs — sits low in the mix behind bassline and synths, slightly phasey and compressed
Amp settings — Fender Hot Rod DeVille 212
CHANNELClean (Volume channel, not Drive)BRIGHToff
GAIN 0 BASS 6 MID 5 TREBLE 4 PRESENCE 3 REVERB 2 MASTER 5
KnobSetting (0–10)
Gain0
Bass6
Mid5
Treble4
Presence3
Reverb2
Master5
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Guitar
PICKUPneck+middle TONE4 VOLUME8
Signal chain

01Boss DS-1 Distortion

RECOMMENDED — not currently owned. Essential for the main bent-note riff grit. Without this, use the Drive channel at gain 3-4 as a compromise, but it will lack the DS-1's sizzle.

Tone 4 · Level 6 · Dist 4

02MXR Phase 90

RECOMMENDED — not currently owned. Adds the subtle swirl heard on the verse riff. Can be omitted, but tone loses movement.

Speed 3
Why these settings

Your Hot Rod DeVille is the correct amp family — Fender clean platform is exactly what the original used. I'm keeping you on the Clean channel with Drive at 0 because the original's grit comes entirely from the DS-1 pedal, not amp breakup. Treble dropped to 4 and presence to 3 because the DeVille's bright voicing plus Strat single coils will be harsher than the lo-fi, buried-in-mix guitar tone on the recording. Without the DS-1, your best substitute is engaging the Drive channel at gain 3 with the same EQ, but expect a warmer, less cutting result.

PRO TIPRoll your tone knob down to 4 and play the bent G-string riff with your picking hand closer to the neck — the original tone is deliberately dull and sits behind the bassline. If you play too bright or too forward, you'll overpower the mix in a way the record never does.

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These settings are for a Fender Hot Rod DeVille 212. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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