Everlong amp settings — Fender Hot Rod DeVille 212
The Foo Fighters guitar tone for “Everlong”, dialed in for a Fender Hot Rod DeVille 212 with a Fender American Ultra Stratocaster. Studio version, The Colour and the Shape (1997)
Mesa/Boogie Dual Rectifier (distorted sections) + Fender ToneMaster (clean/verse), Gibson Trini Lopez with PAF humbuckers, bridge pickup, Drop D tuning
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 4 |
| Mid | 7 |
| Treble | 5 |
| Presence | 5 |
| Reverb | 0 |
| Master | 6 |
01ProCo RAT 2 (or clone)
RECOMMENDED — not currently owned. Essential for this tone. The RAT was documented on the session and provides the saturated, slightly fuzzy grind. Without it, the Hot Rod's drive channel alone will sound thin and fizzy compared to a Recto.
Original used a Dual Rectifier's high-gain channel into humbuckers — your Strat single coils are brighter and lower output. Amp gain dropped from 7 to 3 because the RAT provides the saturation; the Hot Rod's job is to stay clean and loud. Mid pushed to 7 (vs original 6) to compensate for Fender's scooped voicing. Treble cut to 5 (vs original 7) because Strat bridge pickup is already ice-picky. Tone knob rolled to 7 to tame single-coil harshness.
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These settings are for a Fender Hot Rod DeVille 212. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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