For Whom the Bell Tolls amp settings — Marshall MG30CFX
The Metallica guitar tone for “For Whom the Bell Tolls”, dialed in for a Marshall MG30CFX with a Fender Player Jazz Bass. Studio version, Ride the Lightning (1984) - Intro Lead Chromatic Bass Riff
Modified Rickenbacker 4001 (Seymour Duncan bridge / Gibson EB mudbucker neck), Morley Power Wah Boost, Electro-Harmonix Big Muff / Morley Fuzz Wah into Mesa Boogie D-180 tube heads
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 4 |
| Mid | 8 |
| Treble | 6 |
| Reverb | 1 |
| Master | 6 |
01Jim Dunlop Cry Baby GCB95
Leave parked/cocked roughly 60-70% forward for the signature biting vocal filter sweep
02Behringer HD300
Gain source (heavy distortion to mimic Cliff's Big Muff/Power Boost saturation)
Because the HD300 acts as your high-gain distortion engine, the MG30CFX must run on the cleanest 'Clean' channel with gain dialed down to 2 to prevent muddy double-gain stacking. The MG30CFX faceplate lacks a presence control, so mids are pushed to 8 and treble to 6 to emulate the cutting upper-midrange snarl of Mesa Boogie tube heads. Main rhythm section: bypass both the Cry Baby and HD300 or reduce distortion for the clean driving bassline.
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