Tone library / Blacl Sabbat / Iron man

Iron man amp settings — Marshall MG30CFX

The Blacl Sabbat guitar tone for “Iron man”, dialed in for a Marshall MG30CFX with a Jackson JS22 Dinky. Studio version, Paranoid (1970)

Original rig

1965 Gibson SG Special (P90 bridge pickup) → Dallas-Arbiter Rangemaster treble booster → Laney Supergroup LA100BL (cranked, bass input)

Thick, grinding mid-heavy distortion with boxy honk and aggressive attack — the foundation of doom metal
Amp settings — Marshall MG30CFX
CHANNELOD1 (Overdrive 1)
GAIN 8 BASS 4 MID 8 TREBLE 6 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain8
Bass4
Mid8
Treble6
Reverb0
Master6
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Guitar
PICKUPbridge TONE7 VOLUME10
Signal chain

01Treble Booster (e.g., TC Electronic Spark Booster, EHX LPB-1, or MXR Micro Amp)

RECOMMENDED — not currently owned. This is critical to the Iron Man tone. The Rangemaster cut bass and pushed the amp into saturation. Without it, you lose the grinding bite. A basic treble booster or clean boost with the tone rolled bright gets you 80% there.

Level/Gain 6 · Treble/Tone 7
Why these settings

Your Jackson JS22 has high-output humbuckers vs Iommi's lower-output P90s — this means less gain needed (8 vs cranked 10) to avoid mud. The MG30CFX's OD1 channel is voiced tighter and brighter than a vintage Laney, so mid is pushed to 8 to recover that boxy, honking midrange. Bass dropped to 4 because the MG's solid-state low end gets flubby fast; Iommi ran bass at 0 on the Laney. Contour (MG's scoop control) stays low at 3 to keep mids present.

PRO TIPIommi used extremely light strings (.009-.042) due to his prosthetic fingertips, which gave the riff a slightly loose, rattling aggression. Dig in hard with heavy downstrokes and let the notes breathe between hits — the silence is part of the riff's weight.

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These settings are for a Marshall MG30CFX. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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