Tone library / Metallica / Fade to black

Fade to black amp settings — Roland JC-120 Jazz Chorus

The Metallica guitar tone for “Fade to black”, dialed in for a Roland JC-120 Jazz Chorus with a Ibanez GIO GRG170DX. Iconic intro solo and heavy rhythm tone, Ride the Lightning (1984)

Original rig

Modified Marshall JCM800 2203, Ibanez TS9 / ProCo Rat boost, Gibson Flying V with Seymour Duncan Invader humbuckers

Saturated, biting mid-scooped early thrash crunch with singing lead sustain
Amp settings — Roland JC-120 Jazz Chorus
CHANNELChannel 2 (Normal)BRIGHToff
BASS 6 MID 4 TREBLE 6 REVERB 2 MASTER 4
KnobSetting (0–10)
Bass6
Mid4
Treble6
Reverb2
Master4
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Guitar
PICKUPneck TONE10 VOLUME10
Signal chain

01Ibanez Tube Screamer TS9

Maxed drive pushes primary clipping into the ultra-clean solid-state power section

Drive 10 · Tone 7 · Level 8

02Boss GE-7 Equalizer

Scoops 800Hz boxiness while boosting 1.6k/3.2k to emulate the signature Marshall high-mid thrash cut

100Hz 7 · 200Hz 6 · 400Hz 4 · 800Hz 3 · 1.6kHz 7 · 3.2kHz 8 · 6.4kHz 6 · Level 6

03ProCo Rat 2

RECOMMENDED — not currently owned; necessary to achieve true Ride the Lightning high-gain saturation in front of an ultra-clean JC-120

Distortion 7 · Filter 6 · Volume 7
Why these settings

The JC-120 is an ultra-clean solid-state platform with no native high-gain preamp distortion, so the TS9 drive is maxed and paired with the GE-7 to sculpt the aggressive mid-scoop Marshall bite. The JC-120 lacks presence and gain knobs, so high frequencies are shaped entirely via treble at 6 and the GE-7 sliders. Switch pickup_position to bridge for the heavy rhythm sections later in the song.

PRO TIPFor Kirk Hammett's singing intro solo sustain, stay on the neck humbucker and use a heavy pick with aggressive vibrato right on the fret wire.

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These settings are for a Roland JC-120 Jazz Chorus. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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