Eye of the beholder amp settings — Valeton GP-200
The Metallica guitar tone for “Eye of the beholder”, dialed in for a Valeton GP-200 with a ESP LTD KH-202 Kirk Hammett. Studio version, ...And Justice for All (1988), signature heavy rhythm riff
Mesa/Boogie Mark IIC+ head (Lead Channel, graphic EQ V-curve), ESP Explorer with EMG 81/60, Aphex Aural Exciter in FX loop, Marshall 1960A 4x12 cabs with Celestion G12T-75s
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 5 |
| Mid | 3 |
| Treble | 7 |
| Presence | 6 |
| Reverb | 0 |
| Master | 6 |
01Graphic EQ Block (Post-Amp / FX Loop)
Recreates the classic Mesa 5-band V-curve and Aphex Exciter sizzle
02Noise Gate Block
Place before amp model to keep palm-muted chugs tight and quiet
The GP-200's CALI IIC+ amp block recreates the preamp gain structure, while the post-amp Graphic EQ block supplies the mandatory Mesa V-curve scoop at 750Hz and upper sizzle. The passive pickups on your KH-202 are slightly less compressed than Hetfield's active EMG 81, so gain is pushed to 7 to deliver identical crunch and saturation. Keep reverb completely dry to capture the sterile, surgically precise ...And Justice for All production.
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These settings are for a Valeton GP-200. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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