Tornado of souls amp settings — Fender Acoustasonic 15
The Megadeth guitar tone for “Tornado of souls”, dialed in for a Fender Acoustasonic 15 with a Fender Player Stratocaster. Studio version, Rust in Peace (1990) — Marty Friedman's iconic solo tone
Mesa Boogie Mark IIC+ (lead channel) or ADA MP-1 preamp into Marshall power section; Jackson with DiMarzio/Seymour Duncan bridge humbucker; subtle analog delay
| Knob | Setting (0–10) |
|---|---|
| Gain | 0 |
| Bass | 4 |
| Treble | 6 |
| Master | 5 |
01Behringer OD300 Overdrive/Distortion
This pedal is your ONLY gain source — amp stays completely clean. Use DS or HM mode for tightest high-gain response
The Acoustasonic 15 is a 15W acoustic-optimized combo with no overdrive channel and limited headroom — it cannot produce thrash gain on its own. All saturation must come from the OD300 in distortion mode. Set amp EQ near-flat with slight treble cut (Strat single coils are brighter than Friedman's humbuckers) and bass at 4 to avoid flub through the small speaker. The OD300's DS mode approximates the tight Mesa-style saturation; keep Tone at 6 to preserve the mid-forward articulation essential to this solo.
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These settings are for a Fender Acoustasonic 15. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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