Tuesdays gone amp settings — Marshall DSL40CR
The Lynyrd skynyrd guitar tone for “Tuesdays gone”, dialed in for a Marshall DSL40CR with a Gibson SG Standard 61. Studio cut, (Pronounced 'Lĕh-'nérd 'Skin-'nérd) (1973), Gary Rossington melodic lead track
1959 Gibson Les Paul Standard ('The Beast' PAFs) straight into a cranked 1968 Marshall Super Lead / JTM45/100 head through Celestion Greenback 4x12 cab
| Knob | Setting (0–10) |
|---|---|
| Gain | 5 |
| Bass | 6 |
| Mid | 7 |
| Treble | 5 |
| Presence | 4 |
| Reverb | 3 |
| Master | 5 |
Rossington tracked straight into a non-master volume Marshall pushed to organic breakup, so the DSL40CR's Classic Gain channel in Crunch mode captures that vintage touch dynamics perfectly without preamp fizz. Your SG '61 has slightly brighter, bite-heavy Burstbucker 61s and thinner mahogany compared to Rossington's 9.4 lb '59 Les Paul, so rolling the amp treble to 5, presence to 4, and your neck tone down to 7 warms the high end into that classic singing vocal quality. Keep the amp's Resonance control around 5 to replicate the low-end punch of a closed-back Greenback 4x12 cabinet.
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These settings are for a Marshall DSL40CR. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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