In the End amp settings — Marshall DSL40CR
The LINKIN PARK guitar tone for “In the End”, dialed in for a Marshall DSL40CR with a Epiphone Les Paul Classic. Studio version, Hybrid Theory (2000)
PRS Custom 24 (bridge humbucker) → Mesa Boogie Dual Rectifier (Modern channel), no pedals
| Knob | Setting (0–10) |
|---|---|
| Gain | 8 |
| Bass | 5 |
| Mid | 4 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 0 |
| Master | 5 |
The DSL's Ultra Gain channel has more mid-forward bite than the Rectifier's scooped Modern voicing, so mids are dropped from 5 to 4 and bass cut from 6 to 5 to prevent mud. Gain pushed to 8 to compensate for the Rectifier's higher saturation ceiling. Your Epiphone's Alnico Classic humbuckers are close to the PRS HFS output, so no pickup compensation needed.
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These settings are for a Marshall DSL40CR. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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