That band amp settings — Yamaha THR10II

The kessoku band guitar tone for “That band”, dialed in for a Yamaha THR10II with a Gibson Les Paul Standard 60s. Studio version, Kessoku Band album (December 25, 2022) - arranger: 三井律郎, composer: Kayoko Kusano

Original rig

Gibson 1959 Les Paul Reissue (Lindy Fralin PUs) → Bogner 3-channel head (Ecstasy-type) with mid-boosted EQ, Line 6 HX Stomp for effects

Thick, mid-forward crunch with controlled low-end and clear note articulation — powerful yet transparent

Amp settings — Yamaha THR10II

CHANNELCRUNCH (amp type selector)

Knob	Setting (0–10)
Gain	6
Bass	4
Mid	7
Treble	5
Reverb	2
Master	5

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Guitar

PICKUPbridge TONE7 VOLUME10

Why these settings

The THR10II's CRUNCH model approximates the Bogner's mid-gain channel character. Bogner amps are inherently mid-dense with tight lows, so bass is pulled to 4 (THR tends toward flabbier low-end). Mid pushed to 7 replicates Namimoto's confirmed mid-forward voicing. Treble at 5 prevents the THR's digital high-end from getting harsh — the original Bogner has smoother top-end rolloff. Tone knob at 7 on your LP tames the bridge pickup's bite to match the Lindy Fralin's warmer wind.

PRO TIPNamimoto's 'thick yet clear' attack comes from precise palm-mute pressure — hover your palm lightly over the bridge saddles rather than clamping down, letting the fundamental ring through the chunk. This is how Kessoku Band's rhythm parts stay intelligible in the dense mix.

Get this tone on your amp

These settings are for a Yamaha THR10II. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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