Guitar, Loneliness and Blue Planet amp settings — Yamaha THR10II
The kessoku band guitar tone for “Guitar, Loneliness and Blue Planet”, dialed in for a Yamaha THR10II with a Ibanez AZ2204. Studio version, Kessoku Band album (December 2022)
Session guitarists Akkin and Ritsuo Mitsui — likely JC-120 or Fender-style clean platform with mid-gain overdrive pedals (TS-style or similar), recorded direct/close-mic'd for tight Japanese rock production
| Knob | Setting (0–10) |
|---|---|
| Gain | 5 |
| Bass | 4 |
| Mid | 7 |
| Treble | 6 |
| Master | 6 |
The THR10II's Crunch/Lead model delivers the mid-forward bite this J-rock tone needs. Your AZ2204's Seymour Duncan Hyperion humbuckers are hotter and tighter than a typical Japanese session guitar (often S-style or semi-hollow), so gain stays moderate at 5 to preserve pick dynamics and avoid mud. Mid pushed to 7 captures the 'in your face' presence characteristic of this production style; bass pulled to 4 keeps the low-end tight rather than boomy.
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These settings are for a Yamaha THR10II. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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