Tone library / Guns and roses / Knocking on

Knocking on amp settings — Laney LH50

The Guns and roses guitar tone for “Knocking on”, dialed in for a Laney LH50 with a Ibanez RG550. Studio version, Use Your Illusion II (1991) — half-step down tuning (Eb)

Original rig

Marshall Silver Jubilee 2555, Gibson Les Paul with Seymour Duncan Alnico Pro II pickups, chorus for clean sections, possible subtle delay on solos

Warm crunchy rhythm with responsive dynamics, cleans up with volume knob, singing sustain on solos
Amp settings — Laney LH50
CHANNELLead channel (crunch voicing)BRIGHToffBOOSToff
GAIN 5 BASS 6 MID 6 TREBLE 5 PRESENCE 5 REVERB 2 MASTER 5
KnobSetting (0–10)
Gain5
Bass6
Mid6
Treble5
Presence5
Reverb2
Master5
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Guitar
PICKUPneck TONE6 VOLUME10
Signal chain

01ME-90 Chorus (CE-1 type)

Engage for clean intro/verse sections only, bypass for crunchy rhythm and solos

Rate 4 · Depth 5 · Level 7

02ME-90 Delay (Digital)

Subtle slapback for solos — adds dimension without washing out notes

Time 4 · Feedback 3 · E.Level 3

03ME-90 Overdrive (Blues Driver type)

Use as a solo boost — stacks with amp's lead channel for singing sustain

Drive 4 · Tone 5 · Level 6
Why these settings

Your Laney LH50 is voiced similarly to the Jubilee — British EL34 mids with good touch sensitivity. The RG550's hotter ceramic humbuckers have more output and less warmth than Slash's Alnico IIs, so I dropped gain by 1 and rolled tone knob to 6 to tame the top-end ice pick. Use guitar volume at 7-8 for cleaner verses, 10 for crunch.

PRO TIPThe Jubilee's magic is volume-knob cleanup — practice rolling your RG's volume to 6-7 for the clean intro while keeping the amp crunchy, then slam it to 10 when the band kicks in. This is how Slash manages clean-to-dirty without pedal tap-dancing.

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These settings are for a Laney LH50. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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