parissienn walkway amp settings — Valeton GP-200
The Gary Moore guitar tone for “parissienn walkway”, dialed in for a Valeton GP-200 with a Fender American Professional II Stratocaster. Studio version, Back on the Streets (1979) — the iconic instrumental featuring Phil Lynott
Marshall JMP 100W or JCM800 cranked, Gibson Les Paul Standard with Peter Green/Gary Moore 'out-of-phase' neck pickup mod, light compression, analog delay, minimal effects — tone comes from fingers, sustain, and amp saturation
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 5 |
| Mid | 7 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 2 |
| Master | 7 |
01Compressor block (studio comp or optical style)
Light compression to enhance sustain without squashing dynamics — key to the singing lead tone
02Analog Delay block
300-400ms delay, low in mix — adds depth and supports the sustain, not a slapback
Your Strat's single coils are brighter and lower output than Gary's Les Paul with humbuckers. Compensate by using the neck pickup with tone rolled to 6, boosting mids +1-2 on the amp model, and adding light compression to simulate humbucker sustain. The GP-200's JCM800/Plexi model gets you the Marshall voice — keep gain moderate (6) as Gary's tone was warm saturation, not modern high-gain. The singing quality comes from fingers and vibrato, not extra dirt.
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These settings are for a Valeton GP-200. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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