Tone library / Echo and the bunnymen / Going up

Going up amp settings — Fender Front man 10 g

The Echo and the bunnymen guitar tone for “Going up”, dialed in for a Fender Front man 10 g with a PRS S2 Standard 24. Studio version, Crocodiles (1980) - Main rhythmic lead guitar

Original rig

Fender Telecaster / modified club guitar into Roland RE-201 Space Echo and Roland JC-120 / FAL Merlin amp

Bright, post-punk crystalline clean with heavy atmospheric tape echo, light chorusing, and prominent reverb wash
Amp settings — Fender Front man 10 g
CHANNELCleanBOOSToff
GAIN 3 BASS 4 TREBLE 7 MASTER 4
KnobSetting (0–10)
Gain3
Bass4
Treble7
Master4
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Guitar
PICKUPbridge+middle TONE8 VOLUME10
Signal chain

01MXR Dyna Comp

Evens out percussive picking dynamics

Output 7 · Sensitivity 4

02Boss CH-1 Super Chorus

Emulates the Roland JC / tape-flutted doubling

E.Level 6 · EQ 6 · Rate 5 · Depth 6

03Boss DD-7 Digital Delay

Set mode to Analog or Modulate to emulate Will Sergeant's RE-201 Space Echo repeats

E.Level 6 · F.Back 5 · D.Time 5 · Mode 4

04Boss RV-6 Reverb

Set mode to Plate or Spring for surf/post-punk space

E.Level 6 · Tone 5 · Time 6 · Mode 2
Why these settings

The Frontman 10G lacks a mid control, presence knob, and onboard reverb, so mid, presence, and amp reverb are nulled while the RV-6 provides the wash. Sergeant played bright single-coil guitars into pristine, glassy solid-state rigs; on your humbucker PRS S2, use the coil-split middle position and pull bass down to 4 to prevent the 6-inch speaker from muddying up. Keeping the Frontman on Clean with gain at 3 ensures completely uncompressed headroom for your Dyna Comp and time-based pedals to replicate the 1980 post-punk chime.

PRO TIPPick aggressively near the bridge saddles using thin or medium-thin plectrums to capture the precise, metallic percussive scrape heard throughout Crocodiles.

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