Tone library / Deftones / My own summer

My own summer amp settings — Harley benton HB-20R

The Deftones guitar tone for “My own summer”, dialed in for a Harley benton HB-20R with a Harley benton ST-Modern HSS FBLB. Studio version, Around the Fur (1997)

Original rig

ESP Horizon/M-II with Seymour Duncan JB humbucker → ADA MP-1 or Marshall JMP-1 preamp → Marshall 9200 or Mesa Strategy 400 power amp, Boss FZ-2 Hyper Fuzz for grit

Thick, percussive low-end chug with gritty upper-harmonic bite, dry and articulate despite the detuned heaviness
Amp settings — Harley benton HB-20R
CHANNELOverdrive channel (if available) or single channel crankedBRIGHToff
GAIN 8 BASS 5 MID 4 TREBLE 6 PRESENCE 5 REVERB 0 MASTER 5
KnobSetting (0–10)
Gain8
Bass5
Mid4
Treble6
Presence5
Reverb0
Master5
Don’t have a Harley benton HB-20R? See this song on other amps → Match your own rig →
Guitar
PICKUPbridge TONE7 VOLUME10
Signal chain

01Boss HM-2 or DS-1 (Distortion Pedal)

RECOMMENDED — not currently owned. The original used a Boss FZ-2 Hyper Fuzz for the gritty harmonic overtones. A DS-1 or any aggressive distortion pedal stacked with the amp's gain will approximate the scooped, grinding character. Without this pedal, push amp gain to 10 and accept a smoother, less aggressive tone.

Level 7 · Tone/Color 4 · Dist/Drive 6
Why these settings

The HB-20R is a small solid-state practice amp — it lacks the preamp saturation and tight low-end of a Marshall rack preamp or Mesa power section. I dropped bass from the original's 6-7 down to 5 because small speakers get muddy fast with detuned riffs, and the amp won't handle the sub-frequencies anyway. Mid stays scooped at 4 to retain that nu-metal scoop, but your amp's mid circuit is voiced higher than the original, so you won't get the same chest-punch. Without a distortion pedal, you're relying entirely on the amp's clipping, which will sound thinner and fizzier than the original's warm tube grind.

PRO TIPTune to Drop C# (C#-G#-C#-F#-A#-D#) and use the heaviest gauge strings that fit your nut slots — at least .012-.054 or heavier to maintain tension. Palm-mute hard right at the bridge saddles for maximum percussive attack; the riff's groove depends on that choked, staccato thump rather than sustain.

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These settings are for a Harley benton HB-20R. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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