Tone library / Chevelle / Wonder Whats Next

Wonder Whats Next amp settings — Orange Crush 12

The Chevelle guitar tone for “Wonder Whats Next”, dialed in for a Orange Crush 12 with a Ibanez GIO GRG170DX. Studio version, Wonder What's Next (2002) — main heavy rhythm riff

Original rig

PRS Custom 24 / Custom 22 Baritone (Drop B) -> Tech 21 SansAmp GT2 -> Mesa/Boogie Mark IV (Lead channel, 5-band graphic EQ V-curve) -> Mesa 4x12 with Celestion V30s

Aggressive, tight, scooped high-gain post-grunge crunch with punchy palm mutes and articulate low-end
Amp settings — Orange Crush 12
CHANNELClean/Dirty single channel (Overdrive knob)
GAIN 7 BASS 5 MID 4 TREBLE 7 MASTER 5
KnobSetting (0–10)
Gain7
Bass5
Mid4
Treble7
Master5
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Ibanez Tube Screamer TS9

Used as a tight clean boost in front of the amp to cut flubby sub-bass and tighten low Drop-B palm mutes

Drive 0 · Tone 7 · Level 9

02Boss DS-1 Distortion

Bypassed — left out to avoid flub and double-gain saturation

Tone 0 · Level 0 · Dist 0
Why these settings

Pete Loeffler's massive tone comes from cascaded Mesa Mark IV preamp saturation with a classic graphic EQ V-scoop. The Orange Crush 12 has thick, warm low-mids and a 6-inch speaker, so the TS9 is configured strictly as a clean boost with Tone pushed to 7 and Drive at 0 to shave loose low-end before hitting the preamp. On the amp, Gain is set to 7, Mid is trimmed to 4 to replicate the Mark IV scoop, and Treble is boosted to 7 to compensate for the Orange's darker voicing. Clean verse: roll guitar volume down to 3-4 with the TS9 bypassed.

PRO TIPPete Loeffler tuned down to Drop B (B-F#-B-E-G#-C#) with heavy gauge strings; tune to Drop B and use aggressive, highly anchored bridge palm-muting right against the saddles to get the sharp percussive chunk heard on the record.

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