Proud mary amp settings — Multiefectos M-wawe black box
The Ccr guitar tone for “Proud mary”, dialed in for a Multiefectos M-wawe black box with a Fender Player Stratocaster. Studio version, Bayou Country (1969)
Rickenbacker 325 or Gibson ES-175 (tuned down whole step) → Kustom K200 solid-state or Fender Tweed Deluxe, light compression, subtle tremolo on some passages
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 5 |
| Mid | 7 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 2 |
| Master | 7 |
01Compressor (built-in or modeled)
Light compression for even dynamics and sustain—Fogerty used a Keeley-style comp; if your multi-FX has one, use it subtly
02Tremolo (built-in or modeled)
Optional—very subtle, adds vintage texture; Fogerty used tremolo sparingly on CCR tracks
03Overdrive (TS-style or Tube Screamer model)
RECOMMENDED if your multi-FX has an OD block—set very low gain, just for slight grit and mid-push; otherwise leave off and rely on amp edge
Your Strat's single coils are brighter and lower output than Fogerty's semi-hollow Rickenbacker/ES-175, so I dropped treble from 7 to 6 and pushed mids to 7 to compensate for the Strat's natural scoop. The bridge+middle position gives you jangle without harshness. Keep gain low—this tone is about clean headroom with pick dynamics, not distortion.
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These settings are for a Multiefectos M-wawe black box. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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