Heaven amp settings — Marshall Origin 50C
The Bryan Adams guitar tone for “Heaven”, dialed in for a Marshall Origin 50C with a Gibson Les Paul Standard 60s. Studio version, Reckless (1984) — signature melodic guitar solo & fills
1976 Fender Stratocaster ('The Beast') into cranked vintage Marshall Super Lead / JCM800, Ibanez TS9 Tube Screamer, Bob Clearmountain studio plate/hall reverb & delay
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 5 |
| Mid | 7 |
| Treble | 6 |
| Presence | 6 |
| Master | 6 |
01Boss SD-1 Super Overdrive
Used as a gain boost pushing the Marshall front-end for singing sustain
02Digital / Analog Delay (e.g. Boss DD-3 or DD-8)
RECOMMENDED — not currently owned (FX loop, set to ~380ms quarter-note delay)
Keith Scott played a single-coil Strat into a cranked Plexi, so on your Les Paul humbuckers, rolling the guitar tone back to 9 and setting the SD-1 Tone to 5 prevents excessive harshness while retaining bite. The Marshall Origin 50C has lower native gain than a JCM800, so running the pull-boost engaged with the SD-1 pushing the front end delivers the required compression and singing sustain. To fully replicate the Power Station mix, add a delay pedal in the FX loop.
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These settings are for a Marshall Origin 50C. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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