Tone library / blink-182 / All The Small Things

All The Small Things amp settings — Marshall DSL40CR

The blink-182 guitar tone for “All The Small Things”, dialed in for a Marshall DSL40CR with a Fender American Ultra Stratocaster. Studio version, Enema of the State (1999)

Original rig

Mesa/Boogie Triple Rectifier + Marshall JCM-900 (blended), Fender Tom DeLonge Signature Stratocaster with Seymour Duncan Invader (SH-8) bridge humbucker, no pedals

Tight, saturated pop-punk crunch with bright pick attack, thick palm mutes, and mid-forward aggression
Amp settings — Marshall DSL40CR
CHANNELUltra Gain (Green/Crunch mode)BRIGHToffBOOSToff
GAIN 6 BASS 5 MID 7 TREBLE 6 PRESENCE 5 REVERB 0 MASTER 5
KnobSetting (0–10)
Gain6
Bass5
Mid7
Treble6
Presence5
Reverb0
Master5
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Guitar
PICKUPbridge TONE8 VOLUME10
Why these settings

Your DSL40CR's Ultra Gain channel nails the JCM-900 component of Tom's blended tone. Gain at 6 (not maxed) keeps palm mutes tight—the DSL saturates faster than a Rectifier. Mid pushed to 7 compensates for the missing Mesa low-end thickness while preserving that signature pop-punk cut. Your Ultra Strat's single coils are brighter and lower output than the Invader humbucker, so treble stays conservative at 6 and bass drops to 5 to avoid flub.

PRO TIPDeLonge's attack came from aggressive downstrokes with the pick angled slightly—dig in hard on the palm-muted verse sections, then let the strings ring open on the chorus for that explosive dynamic shift.

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