The Thrill Is Gone amp settings — Fender Champion 40
The B.B. King guitar tone for “The Thrill Is Gone”, dialed in for a Fender Champion 40 with a Ibanez GIO GRG170DX. Studio version, Completely Well (1969) — iconic lead guitar and signature fills
Gibson ES-355TD-SV (Varitone position 2, both pickups) -> Fender Twin Reverb (studio) -> onboard spring reverb
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 5 |
| Treble | 5 |
| Reverb | 4 |
| Master | 5 |
01Boss RV-6 Reverb
Set mode to Spring to match the studio Twin Reverb (or use Champion 40 onboard FX set to Spring)
The Champion 40 lacks a dedicated mid knob, so setting the Blackface voice with bass at 5 and treble rolled back to 5 keeps the low end tight while preventing high-end fizz. B.B. King achieved his signature honk via the ES-355 Varitone circuit and out-of-phase pickup blend, which is emulated on the Ibanez GIO humbuckers by running the neck pickup with guitar tone dialed back to 6. Keep amp gain low for absolute clean headroom so pick dynamics translate naturally without distortion.
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These settings are for a Fender Champion 40. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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