Beast and the Harlot amp settings — Mesa Boogie Dual Rectifier
The Avenged Sevenfold guitar tone for “Beast and the Harlot”, dialed in for a Mesa Boogie Dual Rectifier with a Yamaha Pacifica 112V. Studio version, City of Evil (2005)
Bogner Uberschall (120W, EL34) → Bogner 412 w/ Vintage 30s, Schecter Synyster Custom (humbuckers), Boss SD-1 Overdrive, Drop D tuning
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 6 |
| Mid | 5 |
| Treble | 7 |
| Presence | 6 |
| Reverb | 0 |
| Master | 5 |
01Boss SD-1 Super Overdrive
RECOMMENDED — not currently owned. Used as a clean boost to tighten low-end and add pick attack, not for additional distortion. Run into amp input.
Your Dual Rectifier is the correct amp family for this tone — both it and the Uberschall are high-gain, EL34/6L6 modern metal amps with similar voicing. Use the Orange/Modern channel for the tightest response. The Pacifica's Alnico V humbucker in the bridge is lower output than Schecter's active-style pickups, so gain stays at 7 rather than dropping it. Without the SD-1 to tighten the low end, you may find the chug slightly looser — consider backing bass to 5 if it gets muddy.
Get this tone on your amp
These settings are for a Mesa Boogie Dual Rectifier. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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