A little price of heaven amp settings — Valeton GP-200
The Avenged sevenfold guitar tone for “A little price of heaven”, dialed in for a Valeton GP-200 with a Ibanez JEM7V Steve Vai. Studio version, Avenged Sevenfold (Self-Titled, 2007) - Heavy Drop D rhythm & lead riffing
Schecter Synyster Custom (Seymour Duncan Invader bridge) into Bogner Uberschall / Marshall JCM800 & Mesa Dual Rectifier studio blend, ISP Decimator, MXR Carbon Copy
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 5 |
| Mid | 7 |
| Treble | 6 |
| Presence | 6 |
| Reverb | 2 |
| Master | 7 |
01Gate (Noise Gate Block)
In front of amp model to clamp tight staccato Drop-D chugs
02Green OD (TS-style Booster Block)
Clean boost into high-gain amp to tighten the low end
03Analog Delay (FX Loop / Post-Amp Block)
Engage for melodic lines/solos to mimic the Carbon Copy
The DiMarzio Evolution bridge pickup in your JEM7V is hotter and has stronger upper-mid cut than a traditional PAF, but sits very close to Synyster's ceramic high-output Duncan Invaders. Setting the Valeton GP-200 to the Bogner Uberschall amp block with boosted mids (7) and moderate bass (5) provides the thick theatrical crunch without muddying the fast Drop D chugs. Using the TS-style block as a clean boost (Drive 0, Level 8) keeps the bottom end exceptionally tight through the multi-FX modeling engine.
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These settings are for a Valeton GP-200. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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