Tone library / Van halen / Running with the devil

Running with the devil amp settings — Marshall Code 50

The Van halen guitar tone for “Running with the devil”, dialed in for a Marshall Code 50 with a Ibanez Idk. Studio version, Van Halen I (1978)

Original rig

Frankenstrat (single Gibson PAF humbucker) → MXR Phase 90 → Marshall 1959 Super Lead Plexi (100W) via Variac at 89V, half-step down tuning

Warm, compressed high-gain with sagged power-tube breakup — the 'brown sound' — aggressive yet smooth, mid-forward with controlled brightness
Amp settings — Marshall Code 50
CHANNELPlexi model (1959SLP or JTM45 voicing)BRIGHToffBOOSToff
GAIN 7 BASS 4 MID 6 TREBLE 6 PRESENCE 5 REVERB 0 MASTER 6
KnobSetting (0–10)
Gain7
Bass4
Mid6
Treble6
Presence5
Reverb0
Master6
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Tank G (used as phaser substitute)

If Tank G has phaser mode, use it with slow rate for verse chord swells. If distortion-only, bypass it — the Plexi model provides the gain. Engage only during verse chord stabs.

Rate/Speed 3 · Depth 5 · Level/Mix 6

02MXR Phase 90 (RECOMMENDED — not currently owned)

RECOMMENDED — not owned. Single-knob phaser, slow sweep. Essential for the verse swell sound. A Phase 95 or any basic phaser clone works.

Speed 3
Why these settings

The Marshall Code's Plexi model is your direct match — select the 1959SLP voicing in the amp menu. The original Plexi was voltage-starved via Variac, creating sag and compression; simulate this by keeping gain at 7 (not maxed) and presence at 5 to avoid the digital fizz the Code can produce at high treble/presence. Bass dropped to 4 vs the original's 5 because the Code's Plexi model runs slightly boomy in the low-mids.

PRO TIPTune down a half-step to Eb standard — Eddie tracked the entire album this way. The slightly slacker string tension contributes to the fluid, slinky feel of his bends and vibrato. Attack the strings hard with your pick angled slightly for that aggressive 'choked' harmonic content on the verse stabs.

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