Aerials amp settings — Marshall MG30CFX
The System Of A Down guitar tone for “Aerials”, dialed in for a Marshall MG30CFX with a Squier Affinity Telecaster. Studio version, Toxicity (2001) — heavy main riff and chorus tone
1962 Gibson SG / Les Paul into blended Mesa/Boogie Triple Rectifier (Modern High Gain) and Marshall JMP 2203, tuned to Drop C
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 7 |
| Mid | 6 |
| Treble | 5 |
| Reverb | 0 |
| Master | 6 |
01Jim Dunlop Cry Baby GCB95
Leave bypassed for the main riff (run direct into amp input)
02Behringer HD300 Heavy Distortion
Primary gain source; emulates Daron's high-gain Dual/Triple Rectifier wall of sound
The Behringer HD300 acts as the dedicated high-gain engine recreating Daron's Mesa Rectifier saturation, so the Marshall MG30CFX is set to its clean channel with gain dropped to 2 to avoid muddy double-gain stacking. Because a single-coil Telecaster bridge pickup is naturally brighter and thinner than a Gibson humbucker in Drop C, we boost the HD300's Bottom control to 7, roll the guitar tone knob down to 8, and push amp bass to 7 for low-end body. Clean verse: bypass the HD300 pedal and play with fingers or a light pick attack.
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These settings are for a Marshall MG30CFX. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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