Tone library / Stevie Ray vaughan / Pride and joy

Pride and joy amp settings — Fender Blues Junior IV

The Stevie Ray vaughan guitar tone for “Pride and joy”, dialed in for a Fender Blues Junior IV with a Fender Stevie Ray Vaughan Stratocaster. Studio version, Texas Flood (1983)

Original rig

1963 Fender Strat 'Number One' (0.013 gauge, E♭ tuning) → Ibanez TS808 Tube Screamer (drive 4-5, tone 2-3, level 8-9) → Fender Vibroverb (blackface, 1x15 JBL D130F)

Warm, mid-forward blues crunch with fat low-end and glassy treble snap
Amp settings — Fender Blues Junior IV
BRIGHToff
GAIN 5 BASS 6 MID 6 TREBLE 7 REVERB 2 MASTER 5
KnobSetting (0–10)
Gain5
Bass6
Mid6
Treble7
Reverb2
Master5
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Guitar
PICKUPneck+middle TONE10 VOLUME10
Signal chain

01Ibanez Tube Screamer TS808

RECOMMENDED — not owned. SRV used this as an always-on clean boost, not distortion. The TS pushes the Vibroverb's front end into natural breakup and fattens the mids. Without it, you'll lose the signature woody thickness — crank the amp's gain to 6-7 to compensate, but a TS clone (TS9, TS Mini, Plumes) gets you 90% closer.

Drive 4 · Tone 2 · Level 8
Why these settings

Blues Junior IV is a close cousin to the Vibroverb (both blackface Fenders, 6V6 power tubes, scoop-forward EQ). The Junior has no presence knob — its treble control doubles as presence on the power amp, so treble is set to 7 to match the original's sparkle. The TS808 was SRV's entire front-end: he ran it always-on with drive low and level high to slam the amp's input into singing sustain. Without the TS, the Junior won't compress or thicken the same way — push gain to 6-7 and bass to 7 to approximate it, or buy a TS clone.

PRO TIPTune down a half-step to E♭ (SRV's studio tuning for this track) and use 0.011–0.013 gauge strings if you can handle them — the extra tension and mass create that thick, percussive attack that defines his rhythm tone. Pick near the bridge with a hard downstroke for the signature bark.

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