Tone library / Steve miller band / The jocker

The jocker amp settings — Line 6 Pod Go

The Steve miller band guitar tone for “The jocker”, dialed in for a Line 6 Pod Go with a Epiphone Les Paul Studio. Studio version, The Joker (1973 album)

Original rig

Fender Twin Reverb, Gibson Les Paul with humbuckers, likely direct-to-console with light compression; minimal effects, clean-to-edge-of-breakup tone

Warm, round clean with subtle edge, relaxed bluesy compression, neck pickup thickness
Amp settings — Line 6 Pod Go
CHANNELUS Deluxe Vib (Fender Deluxe Reverb model) or US Double Nrm (Fender Twin)BRIGHToffBOOSToff
GAIN 3 BASS 6 MID 5 TREBLE 5 PRESENCE 4 REVERB 3
KnobSetting (0–10)
Gain3
Bass6
Mid5
Treble5
Presence4
Reverb3
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Guitar
PICKUPneck TONE7 VOLUME8
Signal chain

01LA Studio Comp (Pod Go block)

Optional light compression to smooth dynamics like the studio recording

Threshold 5 · Gain 4
Why these settings

Steve Miller's 1973 tone was a clean Fender amp with a Les Paul's neck humbucker—warm and round with minimal grit. The Pod Go's US Deluxe Vib or US Double Nrm models nail the Fender blackface character. Your Epiphone LP's humbuckers are hotter than Miller's vintage PAFs, so gain stays low (3) and volume rolled to 8 to prevent excess thickness. Treble at 5 keeps it warm without mud.

PRO TIPMiller's iconic talk-box vocal effect on this track comes later in the song—for the main guitar tone, focus on relaxed picking dynamics and let notes ring with slight palm-muting on the rhythmic chucks to get that laid-back groove feel.

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These settings are for a Line 6 Pod Go. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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