Folsom Prison Blues amp settings — Line 6 Pod go
The Johnny Cash guitar tone for “Folsom Prison Blues”, dialed in for a Line 6 Pod go with a Epiphone SG Standard. Original Sun Records studio version (1955), later re-recorded live at Folsom Prison (1968)—both use the same fundamental clean-with-slapback approach
1953 Fender Esquire (bridge single-coil), clean Fender amp (likely tweed-era Deluxe or similar), Sun Studios tape slapback delay (~130ms)
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 4 |
| Mid | 6 |
| Treble | 5 |
| Presence | 5 |
| Reverb | 0 |
| Master | 7 |
01Vintage Digital Delay (or Simple Delay block)
Set delay time to 120-140ms manually. Feedback low for only 2-3 repeats. This is the defining element of the tone—without slapback, it's not Luther Perkins.
Your SG's humbuckers are darker and hotter than Perkins' Esquire single-coil, so I dropped treble from the typical 7-8 down to 5 and rolled your tone knob to 4 to approximate that dark, thumpy quality he got by using the Esquire's bass-cut position. Boosted mids +1 to compensate for the Pod Go's Fender model scoop and keep the palm-muted bass notes defined rather than muddy.
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These settings are for a Line 6 Pod go. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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