Tone library / Steppenwolf / Born to Be Wild

Born to Be Wild amp settings — Line 6 Pod go

The Steppenwolf guitar tone for “Born to Be Wild”, dialed in for a Line 6 Pod go with a Epiphone Les Paul Classic. Studio version, Steppenwolf debut album (1968), American Recording Company, Studio City, CA

Original rig

1952 Fender Esquire → Fender Concert (4x10, no reverb, all knobs at 10) — cranked for natural breakup, no pedals

Raw, gritty, slightly overdriven crunch with biting mids and a rough, rebellious edge — not high-gain, but pushed hard into breakup
Amp settings — Line 6 Pod go
CHANNELUS Deluxe Nrm (Fender Deluxe Reverb model — closest to the Fender Concert's clean-to-crunch character)BRIGHTonBOOSToff
GAIN 8 BASS 5 MID 7 TREBLE 6 PRESENCE 6 REVERB 0 MASTER 7
KnobSetting (0–10)
Gain8
Bass5
Mid7
Treble6
Presence6
Reverb0
Master7
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Scream 808 (Tube Screamer model — Pod Go built-in)

Use as a light boost to push the amp into that cranked Fender breakup — Monarch's original tone came from volume alone, but your modeler needs this push to replicate the saturation

Drive 3 · Tone 6 · Level 7
Why these settings

Monarch used a single-coil Esquire; your Les Paul humbuckers are hotter and warmer, so treble is dropped from 10 to 6 and mids raised to 7 to recover the biting clarity. The original was a cranked amp with no pedals — the Scream 808 set low compensates for the modeler's inability to replicate true power-tube saturation at volume. Reverb at 0 because the original was bone dry.

PRO TIPRoll your guitar's tone knob back to 7-8 during the verse for a slightly woollier rhythm sound, then open it to 10 for the iconic riff hits — Monarch's Esquire had a single tone control he likely rode throughout the track.

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These settings are for a Line 6 Pod go. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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