Zero amp settings — Orange Crush 12
The Smashing pumpkins guitar tone for “Zero”, dialed in for a Orange Crush 12 with a Epiphone Les Paul Standard 60s. Studio version, Mellon Collie and the Infinite Sadness (1995) — main riff
Fender Stratocaster (Lace Sensor Blue/Silver/Red) -> EHX Big Muff Pi -> Marshall JCM900 4100 Dual Reverb
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 5 |
| Mid | 6 |
| Treble | 7 |
| Master | 5 |
01EHX Op-Amp Big Muff
Tone switch set to ON. Pedal acts as primary gain source into clean amp.
The Op-Amp Big Muff is the entire source of saturation here, so the single-channel Crush 12's Gain must sit down at 2 to keep headroom clean and prevent double-gain flub. Because your Les Paul humbuckers have rounder top end and heavier low-mids than Billy's Lace Sensor Strat, push the amp's Treble to 7 and keep Bass at 5 to stop the fuzz from getting boomy. The Orange naturally has a warm, thick midrange, so running Mid at 6 maintains the cutting grind of the Mellon Collie recordings without extra presence available on this amp faceplate.
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These settings are for a Orange Crush 12. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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