Psychosocial amp settings — Marshall DSL 100 HR
The Slipknot guitar tone for “Psychosocial”, dialed in for a Marshall DSL 100 HR with a Epiphone Les Paul Studio. Studio version, All Hope Is Gone (2008)
Mick Thomson: Rivera KR-7 / Orange Rockerverb, Jackson signature with EMG 81/60. Jim Root: Orange Rockerverb, Fender Telecaster/Jazzmaster with EMG pickups. Both use Boss NS-2 for gating.
| Knob | Setting (0–10) |
|---|---|
| Gain | 7 |
| Bass | 6 |
| Mid | 4 |
| Treble | 7 |
| Presence | 6 |
| Reverb | 0 |
| Master | 5 |
01DigiTech The Drop
Set to Drop A (4 semitones down from Drop D, or use Octave + Drop mode depending on your standard tuning). First in chain before NS-2.
02Boss NS-2 Noise Suppressor
CRITICAL for this tone. Run guitar → NS-2 Input → NS-2 Send → MT-2 → NS-2 Return → NS-2 Output → Amp. High threshold, fast decay creates the tight silence between chugs.
03Boss Metal Zone MT-2
Use as a boost/tightener into the DSL's dirty channel, NOT as the main distortion source. Keep Dist moderate—let the amp do the heavy lifting. The MT-2 adds attack and compression.
The DSL100HR's Ultra Gain channel is tighter and more mid-present than Orange/Rivera amps, so mids are set to 4 (scooped) rather than higher. Your Epiphone's passive humbuckers have less compression than the original EMG actives, so gain stays at 7 instead of 8 to avoid flub. Bass reduced to 6 because Drop A tuning + DSL's resonant low-end will mud out otherwise.
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These settings are for a Marshall DSL 100 HR. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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