Tone library / Slipknot / Psychosocial

Psychosocial amp settings — Boss Katana 50 MkII

The Slipknot guitar tone for “Psychosocial”, dialed in for a Boss Katana 50 MkII with a Schecter Hellraiser C-7. Studio version, All Hope Is Gone (2008) - Main Drop A rhythm riff

Original rig

Mick Thomson & Jim Root rigs: Rivera KR-7 & Orange Rockerverb 100 into 4x12 cabs, Ibanez MTM1 / Fender Telecaster with active EMG 81/60 & Seymour Duncan Blackouts, Maxon OD808 / MXR Carbon Copy

Ultra-tight, percussive high-gain Drop A rhythm with aggressive upper-mid bite and tight low-end
Amp settings — Boss Katana 50 MkII
CHANNELBrown Amp Type (Variation Off)BOOSToff
GAIN 6 BASS 5 MID 6 TREBLE 7 REVERB 0 MASTER 5
KnobSetting (0–10)
Gain6
Bass5
Mid6
Treble7
Reverb0
Master5
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Guitar
PICKUPbridge TONE10 VOLUME10
Signal chain

01Ibanez Tube Screamer TS808

Used as a clean boost to tighten the sub-lows and add pick attack definition before the amp

Overdrive 0 · Tone 6 · Level 10

02MXR Ten Band EQ

Run in front of the amp to carve out muddy low-mid boxiness and push the 1k-2k attack bite

31.25Hz 3 · 62.5Hz 4 · 125Hz 6 · 250Hz 5 · 500Hz 4 · 1kHz 6 · 2kHz 7 · 4kHz 6 · 8kHz 5 · 16kHz 4 · Gain 5 · Volume 5
Why these settings

The Katana 50 MkII's Brown voice provides the required thick high-gain saturation, while the TS808 set as a pure level boost tightens the Schecter's Drop A extended range. We trim extreme bass on the amp and use the MXR 10-Band EQ to notch out flub around 250-500Hz and boost 2kHz for Mick Thomson's signature serrated pick attack. Presence is physically omitted on the Katana 50 faceplate, so high-end cut is dialed directly via the Treble knob at 7.

PRO TIPUse heavy-gauge strings (.060+ on the low A) and pick with a stiff 1.5mm+ pick aggressively right next to the bridge saddles to maximize the dry, percussive chug without bass flub.

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These settings are for a Boss Katana 50 MkII. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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