Tone library / Slayer / South of heaven

South of heaven amp settings — Fender Mustang LT25

The Slayer guitar tone for “South of heaven”, dialed in for a Fender Mustang LT25 with a Ibanez GRX70QA. Studio version, South of Heaven album (1988)

Original rig

Marshall JCM800 2203, Jackson Soloist/Rhoads with EMG or high-output passive humbuckers, Ibanez TS9 Tube Screamer as boost, Eb standard tuning

Tight, mid-forward thrash rhythm with controlled aggression and articulate palm mutes
Amp settings — Fender Mustang LT25
CHANNELMetal 2000 model (highest gain voicing available)
GAIN 8 BASS 4 MID 8 TREBLE 5 PRESENCE 6 REVERB 0 MASTER 5
KnobSetting (0–10)
Gain8
Bass4
Mid8
Treble5
Presence6
Reverb0
Master5
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Guitar
PICKUPbridge TONE8 VOLUME10
Why these settings

The Mustang LT25's Metal 2000 model approximates a hot-rodded Marshall. Mids pushed to 8 captures the JCM800's signature bark essential for Slayer's riff clarity. Bass dropped to 4 (vs original's 6) because the Fender-based modeling tends toward flabbier lows—keeping it tight preserves palm-mute definition. Treble at 5 avoids the fizz that digital high-gain can produce.

PRO TIPTune down to Eb standard—Slayer used this tuning on the entire South of Heaven album, and the riffs will sound thin and wrong in standard tuning. Your Ibanez's stock Infinity humbuckers have enough output to get close, but pick right over the bridge pickup for maximum attack on the palm-muted sections.

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These settings are for a Fender Mustang LT25. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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