Ada titik-titik di ujung doa amp settings — Fender Hot Rod DeVille 212
The Sal Priadi guitar tone for “Ada titik-titik di ujung doa”, dialed in for a Fender Hot Rod DeVille 212 with a Fender American Professional II Stratocaster. Studio version, MARKERS AND SUCH PENS FLASHDISKS (2024)
Acoustic guitar and warm clean electric (played by Lafa Pratomo) tracking through clean tube preamp with subtle studio compression and plate reverb
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 6 |
| Mid | 6 |
| Treble | 4 |
| Presence | 3 |
| Reverb | 4 |
| Master | 4 |
01Line 6 Helix LT (Deluxe Comp block)
In front of amp — smooths acoustic-like dynamics
02Line 6 Helix LT (Dynamic Plate block)
FX loop (or late chain) — soft intimate ambiance
The Hot Rod DeVille has a high, bright 6kHz treble shelf, so the treble and presence are pulled back while mids are pushed to replicate Lafa Pratomo's warm, intimate studio tone. The Stratocaster's neck+middle position combined with a slight tone roll-off removes harsh single-coil chime to sit smoothly underneath the vocal prayer. The Helix compressor evens out fingerpicked and gentle strummed dynamics without adding any drive.
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These settings are for a Fender Hot Rod DeVille 212. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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