Oh pretty woman amp settings — Boss Gt-1
The Roy orbison guitar tone for “Oh pretty woman”, dialed in for a Boss Gt-1 with a Dean zelinsky LaVoce. Studio version (1964, Monument Records) — signature opening riff
Gibson ES-335 / Gretsch / Fender electrics played by session aces Wayne Moss and Jerry Kennedy straight into vintage 1960s Fender tube amps (Twin Reverb / Deluxe) with light spring reverb and studio optical compression
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 4 |
| Mid | 5 |
| Treble | 7 |
| Presence | 6 |
| Reverb | 3 |
| Master | 5 |
01Compressor Block (Boss GT-1 FX1/Comp)
Set comp type to Light or Classic to match vintage Nashville studio leveling
02Spring Reverb Block (Boss GT-1 Reverb)
Vintage Fender spring tank emulation
The Boss GT-1 'CLEAN TWIN' model replicates the bright, high-headroom 1960s Fender Twin Reverb used on the original session. The Dean Zelinsky LaVoce's thin body and versatile pickups produce balanced punch; selecting the middle/both-pickup position (or engaging coil-splitting if equipped) captures the crisp, snappy percussive attack of the iconic riff without getting harsh. A light compression block inside the GT-1 adds studio-grade note-to-note evenness.
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These settings are for a Boss Gt-1. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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