Tone library / Rolling / Gimme shelter

Gimme shelter amp settings — Boss Gt-1

The Rolling guitar tone for “Gimme shelter”, dialed in for a Boss Gt-1 with a Dean zelinsky LaVoce. Studio version, Let It Bleed (1969)

Original rig

1958 Maton EG240 Supreme hollowbody (tuned to open E) into a Triumph Silicon 100W / Ampeg Gemini I combo with built-in bias tremolo

Edge-of-breakup gritty vintage bite with pulsating swampy sine-wave tremolo
Amp settings — Boss Gt-1
CHANNELT-COMP (Tweed / Small Combo preamp model) + 1x12 cabBRIGHToffBOOSToff
GAIN 4 BASS 5 MID 7 TREBLE 6 REVERB 3 MASTER 7
KnobSetting (0–10)
Gain4
Bass5
Mid7
Treble6
Reverb3
Master7
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Guitar
PICKUPbridge TONE9 VOLUME8
Signal chain

01Boss GT-1 FX1/FX2 Block (Tremolo)

Set waveform to smooth sine wave; rate syncs to 16th notes around 119 BPM

Wave 3 · Rate 6 · Depth 7

02Boss GT-1 OD/DS Block (Warm OD / Blues OD)

Engaged as a touch boost for the post-intro rhythm drive; keep bypassable for the cleaner opening

Drive 2 · Tone 5 · Level 7
Why these settings

Keith Richards cut the track on an archtop Maton through a cranked low-wattage tube amp using its onboard optical/bias tremolo. On your GT-1, the T-COMP or Natural Clean preamp voice pushed to slight breakup accurately models that sag, while keeping presence off prevents modern high-end fizz. Since your Dean Zelinsky LaVoce has thinner body resonance and humbuckers, rolling the guitar volume down to 8 and keeping the bridge pickup engaged restores the string snap and clarity. Clean verse/intro: roll volume down to 7 or bypass the OD block.

PRO TIPKeith tuned to open E (E-B-E-G#-B-E) and played with finger/thumb plucking on the arpeggiated intro riff to snap the strings against the fretboard, which gives the initial attack its iconic sharp percussive bite.

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These settings are for a Boss Gt-1. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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