Tone library / Richard Marx / Angelia

Angelia amp settings — Boss ME-80

The Richard Marx guitar tone for “Angelia”, dialed in for a Boss ME-80 with a Ibanez GIO GRG170DX. Studio version, Repeat Offender (1989) — signature Michael Landau clean intro/verses and arpeggios

Original rig

Michael Landau LA rack rig (Bob Bradshaw / CAE switcher, Soldano/Fender clean preamp, Dyno-My-Piano/Tri-Stereo Chorus, Lexicon PCM-70 delay) + '63 Stratocaster (middle/bridge position)

Pristine, glassy 80s LA studio clean with heavy multi-voice chorus, crisp compression, and stereo digital delay
Amp settings — Boss ME-80
CHANNELCLEAN (Twin Clean preamp block)BRIGHTonBOOSToff
GAIN 2 BASS 5 MID 4 TREBLE 7 REVERB 5 MASTER 6
KnobSetting (0–10)
Gain2
Bass5
Mid4
Treble7
Reverb5
Master6
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Guitar
PICKUPbridge+middle TONE10 VOLUME10
Signal chain

01Boss ME-80 COMP Block (Compressor)

Provides the tight studio percussive snap and even sustain on arpeggios

Sustain 6 · Attack 5 · Level 7

02Boss ME-80 MOD Block (Chorus)

Emulates the lush Landau Tri-Stereo rack chorus spread

Rate 4 · Depth 7 · E.Level 8

03Boss ME-80 DELAY Block (Digital Delay)

Set to approx 380ms for wide rhythmic space

Time 5 · Feedback 4 · E.Level 5
Why these settings

The original studio tone relies on Michael Landau's pristine Fender/Soldano clean rack and active studio Tri-Stereo Chorus. On your Boss ME-80, using the Clean preamp model with scooped mids and boosted treble paired with the onboard Comp and Chorus blocks recreates that signature hi-fi 80s sheen. Selecting the 'bridge+middle' in-between position on your Ibanez GRG170DX provides the necessary single-coil 'quack' and glassy top end. Distorted solo: step on the OD/DS block set to Lead or Blues Drive with Gain around 6.

PRO TIPUse a light, flexible pick and strike the strings right next to the bridge to maximize the percussive attack and crystalline chime of the arpeggiated chords.

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These settings are for a Boss ME-80. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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