Tone library / Mayonnaise / Bakit Part 2

Bakit Part 2 amp settings — Boss ME-80

The Mayonnaise guitar tone for “Bakit Part 2”, dialed in for a Boss ME-80 with a Gibson Les Paul Studio. Studio version, Mayonnaise self-titled album (2004) - 15th Anniversary Remaster available (2019)

Original rig

Marshall-style amp (JCM800/900 era tone), Fender or similar mid-output guitar, likely TS-style overdrive for lead boost, Eb tuning

Mid-forward alternative rock crunch with emotional sustain, moderate gain with clarity for chord definition, slight presence bite for the melodic leads
Amp settings — Boss ME-80
CHANNELOD-1 (JCM800 model) or OD-2 (modded Marshall)BOOSToff
GAIN 6 BASS 5 MID 7 TREBLE 6 PRESENCE 5 REVERB 2 MASTER 7
KnobSetting (0–10)
Gain6
Bass5
Mid7
Treble6
Presence5
Reverb2
Master7
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Guitar
PICKUPbridge TONE7 VOLUME10
Signal chain

01ME-80 Compressor (COMP section)

Light compression for sustain on lead lines and chord consistency

Type 3 · Sustain 4 · Level 6

02ME-80 Delay (DELAY section)

Subtle analog-style delay for depth on leads, keep low in the mix

Type 2 · Time 4 · Feedback 3 · Level 3
Why these settings

Your Les Paul's humbuckers are hotter than the original recording's likely single-coil or lower-output setup, so gain is set at 6 instead of 7-8. The ME-80's OD-1 or OD-2 amp models nail the JCM800 midrange bark this song needs. Tone knob rolled to 7 tames the Les Paul's natural brightness to match the warmer Filipino rock production style.

PRO TIPTune down to Eb (half-step down) as indicated in the tabs—this is essential for the song's character and lets you play along with the recording. For the sliding power chord lead parts in the intro/bridge, use your neck pickup momentarily and dig in with your pick closer to the bridge for that cutting articulation.

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These settings are for a Boss ME-80. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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