Bakit Part 2 amp settings — Boss ME-80
The Mayonnaise guitar tone for “Bakit Part 2”, dialed in for a Boss ME-80 with a Gibson Les Paul Studio. Studio version, Mayonnaise self-titled album (2004) - 15th Anniversary Remaster available (2019)
Marshall-style amp (JCM800/900 era tone), Fender or similar mid-output guitar, likely TS-style overdrive for lead boost, Eb tuning
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 5 |
| Mid | 7 |
| Treble | 6 |
| Presence | 5 |
| Reverb | 2 |
| Master | 7 |
01ME-80 Compressor (COMP section)
Light compression for sustain on lead lines and chord consistency
02ME-80 Delay (DELAY section)
Subtle analog-style delay for depth on leads, keep low in the mix
Your Les Paul's humbuckers are hotter than the original recording's likely single-coil or lower-output setup, so gain is set at 6 instead of 7-8. The ME-80's OD-1 or OD-2 amp models nail the JCM800 midrange bark this song needs. Tone knob rolled to 7 tames the Les Paul's natural brightness to match the warmer Filipino rock production style.
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These settings are for a Boss ME-80. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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