Killing In The Name amp settings — Orange Crush 12
The Rage Against The Machine guitar tone for “Killing In The Name”, dialed in for a Orange Crush 12 with a Ibanez GIO GRG170DX. Studio album version, Rage Against The Machine (1992) — main Drop-D rhythm riff
1982 Fender Standard Telecaster ('Sendero Luminoso', neck single-coil pickup, Drop D) into Marshall JCM800 2205 50W head (boost channel cranked) through a Peavey 4x12 cabinet
| Knob | Setting (0–10) |
|---|---|
| Gain | 2 |
| Bass | 6 |
| Mid | 6 |
| Treble | 7 |
| Master | 6 |
01Boss DS-1 Distortion
Gain source — drives the clean Orange input to emulate cranked JCM800 bite (duplicate DS-1 bypassed)
Because the Orange Crush 12 is a single-channel analog practice amp with a naturally dark voice, the DS-1 is used as the primary gain stage into a low-gain amp setting (gain 2) to prevent muddy double-gain. Treble on the amp is pushed to 7 to compensate for the Orange's thick low-mids and capture the Marshall 2205 top-end bite. Tone on the DS-1 is pulled back to 4 to prevent the bridge-position humbucker/neck pickup transition from getting shrill.
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These settings are for a Orange Crush 12. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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