Bohemian Rhapsody amp settings — NUX MG-400
The Queen guitar tone for “Bohemian Rhapsody”, dialed in for a NUX MG-400 with a Ibanez GIO GRG170DX. Studio version, A Night at the Opera (1975) — rock solo section after the operatic middle
Brian May Red Special guitar (middle+neck pickups out of phase) → Dallas Rangemaster Treble Booster → Vox AC30 (Top Boost channel, cranked). Recorded at Rockfield Studios with multiple overdubs.
| Knob | Setting (0–10) |
|---|---|
| Gain | 6 |
| Bass | 4 |
| Mid | 7 |
| Treble | 7 |
| Presence | 6 |
| Reverb | 0 |
| Master | 6 |
01Treble Booster block (Rangemaster style)
Enable the treble booster or bright overdrive sim before the amp block — this is essential for the searing harmonic content; if MG-400 lacks a dedicated treble booster, use a Tube Screamer block with Drive at 2, Tone at 8, Level at 7 as substitute
02Delay block
Short slapback (~300ms) for spatial depth on lead lines — post-amp block or in virtual FX loop
Your GRG170DX has humbuckers vs May's single-coil-output Red Special, so mid pushed +1 and gain held at 6 to avoid over-saturation. The MG-400's AC30 model is inherently brighter than a real AC30, so presence dropped to 6 vs the original's higher setting. The out-of-phase tone is impossible to replicate exactly with standard humbuckers — using neck+middle position gets the closest midrange character.
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