Bohemian Rhapsody amp settings — Fender Frontman 10G
The Queen guitar tone for “Bohemian Rhapsody”, dialed in for a Fender Frontman 10G with a Harley Benton DC Custom-II Cherry. Studio version, A Night at the Opera (1975)
Red Special guitar → Dallas Rangemaster treble booster → Vox AC30 Top Boost channel, multi-tracked harmonies
| Knob | Setting (0–10) |
|---|---|
| Gain | 3 |
| Bass | 4 |
| Mid | 7 |
| Treble | 6 |
| Presence | 0 |
| Reverb | 0 |
| Master | 5 |
01Behringer OD100 (Tube Screamer clone)
Primary gain source — simulates Rangemaster pushing AC30. Amp gain stays low; pedal does the work.
The Frontman 10G is a solid-state practice amp with limited headroom and a scooped, dark voicing compared to the AC30's chimey Class A character. All gain comes from your OD100 — amp gain at 3 keeps it clean as a platform. Pushed mid to 7 and treble to 6 to compensate for the Frontman's naturally recessed midrange; the AC30 is mid-forward. Your DC Custom humbuckers are hotter and warmer than May's Tri-Sonics, so tone knob rolled to 8 recovers some high-end bite.
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These settings are for a Fender Frontman 10G. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.
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