Tone library / Quarters / Kiwi

Kiwi amp settings — Fender Mustang LT25

The Quarters guitar tone for “Kiwi”, dialed in for a Fender Mustang LT25 with a Harley Benton SC-Custom II. Studio version, Kiwi single (2022) featuring Juice

Original rig

Likely Fender-style amp (clean platform) with single coil or coil-split humbucker guitar, light overdrive pedal for texture — inferred from tone character, no verified sources found

Bright, shimmery clean with light grit, jangly upper mids, indie sparkle
Amp settings — Fender Mustang LT25
CHANNELDeluxe Reverb model (or '65 Deluxe Reverb preset)BRIGHTonBOOSToff
GAIN 3 BASS 4 MID 6 TREBLE 7 PRESENCE 6 REVERB 3 MASTER 5
KnobSetting (0–10)
Gain3
Bass4
Mid6
Treble7
Presence6
Reverb3
Master5
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Guitar
PICKUPbridge TONE8 VOLUME10
Signal chain

01Tube Screamer (TS808/TS9 model on Headrush)

Used as clean boost to add shimmer and light compression, not for distortion

Drive 2 · Tone 6 · Level 6

02Compressor (Headrush onboard)

Light compression for note evenness on clean arpeggios

Level 6 · Sustain 4 · Attack 5
Why these settings

Your SC-Custom II has humbuckers which are warmer than the likely single-coil original — use the coil-split if available, or compensate with treble +1 and tone knob rolled back slightly to 8 for clarity without ice-pick. The Mustang LT25's Deluxe Reverb model matches the Fender clean-platform vibe; gain stays low because the TS on your Headrush provides the edge, not the amp.

PRO TIPPlay closer to the bridge with your picking hand and use lighter pick attack — this tone lives in the snap and chime of the initial transient, not sustain. Let notes ring and decay naturally.

Get this tone on your amp

These settings are for a Fender Mustang LT25. ToneAdapt matches any song to whatever amp, guitar and pedals you own — first match is free.

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Song, artist and gear names are used to identify the tone being matched; ToneAdapt is not affiliated with or endorsed by the artists or manufacturers mentioned. Settings are AI-generated starting points — trust your ears.

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